How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.

How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.

Humans possess the most expressive faces in the animal kingdom. Adam Wilkins presents evidence ranging from the fossil record to recent findings of genetics, molecular biology, and developmental biology to reconstruct the fascinating story of how the human face evolved. Beginning with the first vertebrate faces half a billion years ago and continuing to dramatic changes among our recent human ancestors, Making Faces illuminates how the unusual characteristics of the human face came about-both the physical shape of facial features and the critical role facial expression plays in human society. Offering more than an account of morphological changes over time and space, which rely on findings from paleontology and anthropology, Wilkins also draws on comparative studies of living nonhuman species. He examines the genetic foundations of the remarkable diversity in human faces, and also shows how the evolution of the face was intimately connected to the evolution of the brain. Brain structures capable of recognizing different individuals as well as "reading" and reacting to their facial expressions led to complex social exchanges. Furthermore, the neural and muscular mechanisms that created facial expressions also allowed the development of speech, which is unique to humans. In demonstrating how the physical evolution of the human face has been inextricably intertwined with our species' growing social complexity, Wilkins argues that it was both the product and enabler of human sociality.

In Common Wealth Sarah Kennedy and R. T. Smith mine the deep vein of Virginia poetry to present a comprehensive collection of contemporary works that reflects the vibrant community of poets working today. Notable for its ethnic diversity, Common Wealth showcases the work of fifty-three poets--all of whom have a close connection to the Commonwealth--ranging from the virtually unknown to the well established, and representing all regions of the state.

Contributors:

Talvikki Ansel * Jennifer Atkinson * Molly Bendall * Kelly Cherry * Michael Chitwood * Rosanne Coggeshall * Stephen Cushman * Richard Dillard * Gregory Donovan * Rita Dove * Claudia Emerson * Forrest Gander * George Garrett * Margaret Gibson * Nikki Giovanni * John Haines * Cathryn Hankla * Henry Hart * David Huddle * T. R. Hummer * Julia Johnson * Sam Kashner * Sally Keith * Sarah Kennedy * Peter Klappert * Jeanne Larsen * Edward C. Lynskey * Heather Ross Miller * Elizabeth Seydel Morgan * Debra Nystrom * Gregory Orr * Eric Pankey * Jim Peterson * Hermine Pinson * Lucinda Roy * Steve Scafidi * Nancy Schoenberger * Tim Seibles * Dana Littlepage Smith * Dave Smith * R. T. Smith * Ron Smith * Katherine Soniat * Lisa Russ Spaar * Dan Stryk * Dabney Stuart * Eleanor Ross Taylor * Henry Taylor * Eric Trethewey * Lyrae Van Clief-Stefanon * Reetika Vazirani * Ellen Bryant Voigt * Charles Wright

Sarah Kennedy is Assistant Professor of English at Mary Baldwin College and the author of Double Exposure, Flow Blue, and From the Midland Plain. R. T. Smith is the editor of Shenandoah magazine at Washington and Lee University and the author of several books, including Messenger, Trespasser, and The Cardinal Heart.

Bipolar disorder, Tourette syndrome and associated mood disorders are some of the most misunderstood challenges encountered today. Many unanswered questions can leave patients feeling afraid and alone. Available information is often vague or technical.

Turning Black and White into Gray offers a firsthand account of the everyday lives of adults and children diagnosed with these puzzling disorders. What are these patients thinking? Why do they act the way they do? How can we help them? Through the personal stories of therapist Sarah Kennedy and her patient Keith Conrad, these questions and many others are honestly and clearly addressed.

Combining personal and clinical points of view, Kennedy and Conrad clarify and explain puzzling behavior. They do this by sharing personal experience and stories that are often painful, sometimes humorous, but always helpful.

Combining the personal with the clinical, Kennedy and Conrad share valuable information to help others understand bipolar disorder, Tourette syndrome and mood disorders and to cope with the associated symptoms.

Turning Black and White into Gray will comfort many who feel they are the "only ones" suffering with these debilitating conditions.

While being educated, they will be offered gentle guidance through the darkness of fear toward a new horizon of enlightenment and understanding.

Bipolar disorder, Tourette syndrome and associated mood disorders are some of the most misunderstood challenges encountered today. Many unanswered questions can leave patients feeling afraid and alone. Available information is often vague or technical.

Turning Black and White into Gray offers a firsthand account of the everyday lives of adults and children diagnosed with these puzzling disorders. What are these patients thinking? Why do they act the way they do? How can we help them? Through the personal stories of therapist Sarah Kennedy and her patient Keith Conrad, these questions and many others are honestly and clearly addressed.

Combining personal and clinical points of view, Kennedy and Conrad clarify and explain puzzling behavior. They do this by sharing personal experience and stories that are often painful, sometimes humorous, but always helpful.

Combining the personal with the clinical, Kennedy and Conrad share valuable information to help others understand bipolar disorder, Tourette syndrome and mood disorders and to cope with the associated symptoms.

Turning Black and White into Gray will comfort many who feel they are the "only ones" suffering with these debilitating conditions.

While being educated, they will be offered gentle guidance through the darkness of fear toward a new horizon of enlightenment and understanding.

In Common Wealth Sarah Kennedy and R. T. Smith mine the deep vein of Virginia poetry to present a comprehensive collection of contemporary works that reflects the vibrant community of poets working today. Notable for its ethnic diversity, Common Wealth showcases the work of fifty-three poets--all of whom have a close connection to the Commonwealth--ranging from the virtually unknown to the well established, and representing all regions of the state.

Contributors:

Talvikki Ansel * Jennifer Atkinson * Molly Bendall * Kelly Cherry * Michael Chitwood * Rosanne Coggeshall * Stephen Cushman * Richard Dillard * Gregory Donovan * Rita Dove * Claudia Emerson * Forrest Gander * George Garrett * Margaret Gibson * Nikki Giovanni * John Haines * Cathryn Hankla * Henry Hart * David Huddle * T. R. Hummer * Julia Johnson * Sam Kashner * Sally Keith * Sarah Kennedy * Peter Klappert * Jeanne Larsen * Edward C. Lynskey * Heather Ross Miller * Elizabeth Seydel Morgan * Debra Nystrom * Gregory Orr * Eric Pankey * Jim Peterson * Hermine Pinson * Lucinda Roy * Steve Scafidi * Nancy Schoenberger * Tim Seibles * Dana Littlepage Smith * Dave Smith * R. T. Smith * Ron Smith * Katherine Soniat * Lisa Russ Spaar * Dan Stryk * Dabney Stuart * Eleanor Ross Taylor * Henry Taylor * Eric Trethewey * Lyrae Van Clief-Stefanon * Reetika Vazirani * Ellen Bryant Voigt * Charles Wright

Sarah Kennedy is Assistant Professor of English at Mary Baldwin College and the author of Double Exposure, Flow Blue, and From the Midland Plain. R. T. Smith is the editor of Shenandoah magazine at Washington and Lee University and the author of several books, including Messenger, Trespasser, and The Cardinal Heart.